Foreign Viewing Address：
直播节目介绍 / Introduction to Live Program
The Organized Sound - A tribute concert to Edgard Varèse（China Conservatory of Music）
"The Organized Sound" is an electronic concert in tribute to Edgard Varèse, the French composer and "father of electronic music". The concert features a wide range of electronic music composers and artists from all over the world, working in a variety of forms and styles and using a wide range of technical approaches to sound, from the classic sound reconstruction techniques of twentieth century electronic music composition to the interactive techniques favoured by artists in recent years, all focusing on sound to explore new sounds and forms within a different organisational structure and concept. Sounds and new forms.
Time
Sep.18（Sun.） 10:00-11:00（English program）
Host
QI Mengjie Maggie
Introduction to the host
Teacher at the China Conservatory of Music, postdoctoral fellow at the Central Conservatory of Music, new media musician and curator. Her work has been performed at numerous international conferences and festivals, including the International Computer Music Conference, the Polish Sound Art Festival, WOCMAT, the annual meeting of the Presidents of the International Federation of Electronic Music, the New York City Electronic Music Festival, the International Contemporary Music Association Festival, the American Electronic Music Association Conference, Cube Fest, SPLICE Festival, Global Marathon Offsite Real Time Music Festival, New England Conservatory of Music Contemporary Music Performance Practice Festival, Beijing Contemporary Music Festival, Beijing International Electronic Music Festival, Shenzhen/Hong Kong Biennale of Urbanism/Architecture, Design Connections and exhibition projects at Suzhou Museum, Shanghai Yuyuan Garden, UCCA Ullens Museum of Contemporary Art, Beijing Times He has also won several awards in composition competitions. During her PhD she was awarded a scholarship by the China Scholarship Council to study at the City University of New York. She is currently the only Chinese board member of the International Computer Music Association, an associate editor of the US academic online journal Intelligent Arts, international coordinator of the Beijing International Electronic Music Festival, and project executive of the Beijing Contemporary Music Festival.
Guests
Tae Hong Park
Tae Hong Park was born in Austria and spent his pre-college developmental periods in Europe, Africa, and Southeast Asia before heading to Korea to earn a degree in electrical engineering at Korea University in 1994. After college, Park worked as Associate Researcher in the area of digital communication systems and digital musical keyboards at the LG Central Research Laboratory in Seoul, Korea until 1998. Merging his interest in music and engineering, he ventured off to the US to pursue studies at Dartmouth College (M.A.) and Princeton University (M.F.A and Ph.D.). His current interests are primarily in composition of electro-acoustic and acoustic music, real-time soundmapping and sensor networks, machine learning, and new media studies. His music has been heard in various locations including Austria, Brazil, China, Canada, France, Germany, Holland, Hungary, Ireland, Italy, Mexico, South Korea, Slovenia, Sweden, UK, and USA; in venues, conferences and festivals including Bourges, Carnegie Hall, DIEM, EMM, ICMC, klangprojektionen, MATA, MAXIS, NWEAMO, NYCEMF, SICMF, and SEAMUS. His works have been played by groups and performers such as the Argento Ensemble, Ahn Trio, Brentano String Quartet, California E.A.R. Unit, Ensemble Surplus, Edward Carroll, Kaleidoscope, ZoeMartlew, Nash Ensemble of London, New Jersey Symphony Orchestra, and the Tarab Cello Ensemble. Park served as Editor of Journal SEAMUS and currently serves as an Editorial Consultant for Computer Music Journal. He has served four terms as President of ICMA, directs NYU’s Interactive Arts Performance Series, has produced and chaired ICMC 2006/2018/2019, ICAD 2013, SID 2015, Ircam Forum 2022. and Noisegate 2016 conferences. He is author of “Introduction to DSP: Computer Musically Speaking.” He is chief architect of Citygram (citygram.mpap.ed.nyu.edu) and is CTO of GetNoisy (www.getnoisy.io). He is currently Associate Professor in Music Technology and Composition at New York University.
Jeff Kaiser
Jeff Kaiser (Ph.D. in Music, Integrative Studies, University of California, San Diego) is a music technologist, trumpet player, composer, conductor, and scholar. Classically trained as a trumpet player, Kaiser now views his traditional instrument as hybrid with new technology in the form of software and hardware interfaces that he creates for his performances and recordings. Kaiser gains inspiration and ideas from the intersections of experimental composition and improvisation and the timbral and formal affordances provided by combining traditional instruments with emerging technologies. The roots of his music are firmly in the experimental traditions within jazz, improvised, and Western art music practices. Kaiser considers his art audio-centric, but he also works with live video, tracking, and interactive technologies. He has performed in China, Mexico, and throughout Europe and the United States. His work is featured on Clean Feed Records, Leo Records, NineWinds, Cuneiform Records, Espacio SInkro, and his own label, pfMENTUM, among others.
Embracing the idea of being an artist/scholar, Dr. Kaiser has also presented at national and international conferences, including the Society for Ethnomusicology, the International Society for Improvised Music, SPARK, and invited presentations at colleges and universities. His scholarly work ethnographically explores contemporary musicians who use new, repurposed and reinvented electronic technologies, and critically examines how these musicians conceptualize their practice. He is particularly interested in changing notions of agency, instruments, and virtuosity, and how artists, audiences, and critics construct what is valuable and desirable in these emerging fields. In addition to documenting how creative individuals configure technologies for their own purposes, Kaiser argues that technologies can also configure musicians and musical communities by affording specific ways of creating sonic and social value. Kaiser is currently an Associate Professor of Music Technology and Composition at the University of Central Missouri.
Daniel Teruggi
Daniel Teruggi studied Physics, composition and piano in Argentina. In 1977 he moved to France where he studied at the Paris National Conservatory. In 1981, he starts working at INA (National Audiovisual Institute), at the Groupe de Recherches Musicales (GRM). In 1997 he become Director of the Groupe de Recherches Musicales of INA, position he kept until his retirement in 2017. From October 2001 to 2016 he was simultaneously Director of the Research and Experimentation Department of INA.
He has been active in musical and audiovisual research and regularly composing new musical works. In recent years he has been working on the preservation of audiovisual collections, particularly in the domain of electroacoustic music, where traditional models of conservation are no more effective. He has been coordinator of the FP6 European project PrestoSpace as well as the FP7 European project PrestoPRIME and participated in the Europeana project. He is a founding member of the Electroacoustic Musical Studies network, in charge of an annual conference on electroacoustic music analysis.
He has composed more than 90 works mainly for the concert; using electroacoustic devices in acousmatic situations or with live instruments. He is the author of numerous research articles on the sound and perception of music or musical analysis. His music has been performed in more than 30 countries and published in various CD collections.
Doctor in Art and Technology at the University of Paris VIII, he developed an important educational activity at the Paris I University, around sound and the visual arts, Paris IV Sorbonne around the analysis of electroacoustic music and more recently with Paris Est University, Marne la Vallée, where he was responsible for the Acousmatic and Sound Arts Master. He has been visiting professor at the Universities of Hertfordshire (England), University TU Berlin, 3 of Febrero (Argentina), and SMUC of Barcelona. In 2016, he received the "SMPTE Archival Technology Medal Award" for his efforts in the preservation of audiovisual content, especially music.
Scott Deal
Scott Deal is the Director of Donald Tavel Arts and Technology Research Center at IUPUI, Indianapolis. He is the cofounder of Deck 10 Media, an internet technology company. His research engages new musical pathways of computer interactivity, networked systems, and electroacoustics. In the network arts, Deal is an award-winning creator, producer, author and performer. Deal and composer Matthew Burtner were awarded the Internet2 IDEA award for their creation of "Auksalaq", a telematic opera described as “an important realization of opera for today’s world”. He is the founder of Earth Day Art Model, a 24-hour, worldwide telematic and media arts festival held annually online. As a performer, his recordings have been described as “soaring, shimmering explorations of resplendent mood, and he can be heard on the soundtrack for the Academy Award-winning movie "The Revenant", starring Leonardo DiCaprio. His recording of Grammy-Award-wnning composer John Luther Adams seminal work "Four Thousand Holes" was listed in New Yorker Magazine's "Top Ten Classical Recordings" for 2011. He resides in Indianapolis, United States.
Big Robot
Big Robot creates media-enriched art and music, interweaving aesthetic expression with computer interactivity. The blend of audio-visual design with acoustic instruments forms a multi-dimensional performance at the cross. Points of visual and physical gesture, sound and space. Big Robot has present concerts and residencies worldwide since 2009.
Jeffrey Stolet
Jeffrey Stolet is an American composer and virtuoso performer of electroacoustic and computer music. Stolet is a professor of music and director of Music Technology at the University of Oregon. He received a Ph.D. in Music at the University of Texas at Austin and was among the very first individuals to be appointed to a Philip H. Knight professorship at the University of Oregon. Stolet’s work has been presented around the world and is available on the Newport Classic, IMG Media, Cambria, SEAMUS and ICMA labels.
Presentations of Stolet’s work include major electroacoustic and new media festivals, such as the International Computer Music Conference, the Society for Electro-Acoustic Music in the United States Conference, the MusicAcoustica Festival in Beijing, the New York City Electroacoustic Music Festival, the Kyma International Sound Symposium, the Third Practice Festival, the Annual Electroacoustic Music Festival in Santiago de Chile, the Florida Electroacoustic Music Festival, SIGGRAPH, the transmediale International Media Art Festival, Boston Cyber Arts Festival, Cycle de concerts de Musique par ordinateur, the International Conference for New Interfaces for Musical Expression, the International Workshop on Computer Music and Audio Technology in Taiwan, and the International Electroacoustic Music Festival “Primavera en La Habana,” in Cuba. In addition, Stolet's work has been presented in such diverse venues as the Museum of Modern Art in New York, the Pompidou Center in Paris, the International Academy of Media Arts and Sciences in Gifu, Japan, and the Center for Computer Research in Music and Acoustics at Stanford University.
In 2012 Stolet completed the first book about the sound-specification programming language Kyma entitled Kyma and the SumOfSines Disco Club that is available in English and in Chinese as Kyma Xitong Shiyong Jiqiao by Southwest Normal University Press. Recently Stolet completed a new book, Do: Notes about Action in the Creation of Musical Performance with Data-driven Instruments, that examines aspects of real-time performance of electroacoustic music publish by Lulu Press.
More recently Stolet was inducted into China's prestigious DeTao Masters Academy which brings "eminent professionals and experts to China, where they share the tacit knowledge that brought them to world leadership in their fields with high-level Chinese colleagues." Acknowledgement of Stolet's work in China is extensive and broad as he holds honorary professorships at important music conservatories and has received a lifetime achievement award for his contributions to interactive music at Musicacoustica and for his extensive work lecturing at Chinese institutions of higher education about electroacoustic music.
Todor Todoroff
Electrical Engineer with a specialization in Telecommunications from Université Libre de Bruxelles, he received a First Prize and a Higher Degree in Electroacoustic Composition at the Royal Conservatories in Brussels and Mons.
Co-founder and president of ARTeM (Art, Recherche, Technologie et Musique) and FeBeME-BeFEM (Belgian Federation for Electroacoustic Music), co-founder and vice president of Forum des Compositeurs, he was researcher at ULB, Faculté Polytechnique de Mons and Numediart Institute, Professor at ESA-Arts2 and was Belgian representative of EU-COST actions DAFx and ConGAS.
His electroacoustic music shows a special interest for new forms of gestural interaction, sound transformation and spatialisation. Fascinated by the dialogue with other art forms, he also composes music for film, video, dance, theatre and sound installation. Prizewinner in several international competitions, his music is regularly performed in international festivals.
一起来设计吃！
中国自古是个重要的农耕大国，也是美食大国。过去，所有的设计领域，中国都发展很快、与世界迅速接近。但似乎没有人觉得食物需要设计，在一个美食大国，我们已经由足够丰富的内容。真的是这样吗？《一起设计吃！》是一个轻松、愉快、视野开阔的节目，直播时长大约120分钟。本节目将邀请不同领域的设计学者，一起聊聊中国的食物设计，分享对食物设计的认知、研究和设计经验。期待更多的朋友能够关注与食物有关的生活方式与设计，让我们的生活变得更加美好！
时间
Sep.18（Sun.） 11:00-12:00（中文节目）
主持人
何颂飞
主持人简介
何颂飞，北京服装学院中国生活方式设计研究院副院长
嘉宾简介
池伟
中国食物设计联盟创始人，国际食物节策展人，清华大学创新创业企业导师
演讲主题《中式甜品的食物设计》
胡传建
亚洲吃面公司创始人，广州市文化创意产业协会副会长
演讲主题《未来食物未发生的场景》
陈玎玎
广州大学艺术设计学院教师，设计学博士
演讲主题《生理吃货到心理吃货：吃货的分类思考》
What's Next：洞察你的未来发展与职业倾向
今天的设计师挑战在于具备不同行业的跨界合作能力，透过新产业与新机会的出现，造就未来机遇。你需要拥有足够的战略思维为未来的升学、就业与创业做规划。如何把握机会，洞察未来呢？问问你自己，是该选择创业、出国、还是进厂呢？本次设计马拉松我们将联合北京服装学院学生处，特邀三个方向的超级专家为您把脉未来方向。
时间
Sep.18（Sun.） 13:00-14:00（中文节目）
主持人
丁肇辰
主持人简介
北京服装学院新媒体系主任，意大利米兰理工大学全球学者，北京市朝阳区凤凰教育领军人才，英国皇家艺术学会会士，中国通信学会移动媒体与文化计算委员会委员。曾任上海戏剧学院特聘教授、澳大利亚皇家墨尔本理工大学数字娱乐实验室研究员，台湾师范大学文化创艺研究中心研究员，并曾受聘负责多个全球500强企业的互联网建设
嘉宾简介
创业专家：翁称誉
纽海智能科技创始人& CEO，清华大学人机交互专业博士研究生，中欧国际工商学院 MBA，上海交通大学客座教授与研究员。曾任职于微软、苹果等世界500强。曾任清华大学、华中科技大学、武汉大学数字化转型课题讲师。蝉联多年中欧国际工商学院良师益友项目优秀导师服务奖
大厂专家：鲍宏斌
16年设计工作经验；前奥美、Bigo设计总监；曾经作为PM，在阿里负责过淘公仔与双十二等大型活动项目。有过一定数量的实习生筛选、面试、入职、辅导、转正经验
出国专家：杨叶秋
米兰理工大学南京校友会会长、设计学博士研究生；伦敦密德萨斯大学访问学者、同济大学设计创意学院访问学者；在A&HCI、ESCI、EI中文核心期刊上发表论文10多篇。擅长辅导研究生的作品、面试等
虚拟时尚拟态设计
伴随着新一代数字技术的加速演进，全球数字资产数量呈现出井喷式暴增趋势，虚拟技术已在我们周遭驱动了巨大的产业变革，而作为青年一代的你，对虚拟时尚的未来有怎样的创想和思考呢？本课题基于“拟态化设计”思维和方法，将现实世界作为拟态研究对象，探讨“虚拟世界中人、物、空间构成关系”、“虚拟和现实孪生关系转化”、“现实中的运动因子在虚拟语境中的拟态延伸”等问题，引导课题成员建立多维数字观，理解虚拟设计作为独立语言所特有的差异性，思考新技术产生背景下的技术伦理，感受虚拟与现实的边界以及其作为媒介如何改变人类文化的认知方式。
时间
Sep.18 （Sun.） 14:00-15:00（中文节目）
主持人
魏勤文
主持人简介
北京服装学院服饰艺术与工程学院虚拟时尚设计方向行政主任，北京师范大学人工智能学院访问学者，毕业于英国皇家艺术学院纺织品设计专业，获文学硕士学位。设计作品曾获2016 RCA可持续设计奖项、英国染匠色彩设计大赛银奖和美国AOF时尚设计大赛金奖，曾作为中国区研究员参与了英国伦敦时装学院可持续时尚研究中心（CSF）的“The Sustainable Fashion Glossary”编撰项目。主要研究方向为中国传统服饰元素创新整合设计研究、虚拟时尚和可持续设计
嘉宾简介
王涛，北京服装学院服饰艺术与工程学院产品设计专业虚拟时尚方向教师，致力于数字科技介入首饰工艺与文化研究以及人类功效学首饰领域研究
Designers Now and Then
There will be designers from Indonesian and Danish Agency who will introduce some of their projects. Afterwards, we will have a roundtable discussion regarding the design industry during and after the pandemic (the impacts of work from home and global recruitment/remote position, etc).
Time
Sep.18 （Sun.） 15:00-16:00（English Program）
Host
Hanny Wijaya
Introduction to the host
Hanny Wijaya is an Associate Professor and the Head of Internationalization and Partnership at the School of Design, BINUS University, Indonesia. She is currently based in Vienna to focus on her research at Kunstuniversität Linz, Austria. Hanny is involved in many art and design projects as an academic and professional. She works actively on many collaborative projects intertwined with contemporary art, design, and culture. She has also published books and articles in international journals and proceedings while balancing her literature works with practice-based outcomes and exhibitions.
Guests
Fenny Wijaya (Vertic Copenhagen, Denmark)
Jacky Halim (Halfnot Indesign, Jakarta, Indonesia)
Jane Jahja (Halfnot Indesign, Jakarta, Indonesia)
Instructing Institutions and Websites
BINUS University
Kunstuniversität Linz
Sensory experiences: between the real and virtual
As we move increasingly into engagegement with digitally based communication and experience it is important to understand the significance of human sensory experience in both worlds. This presentation investigates the importance of balanced sensory engagement between the real and virtual experiences in life.
Time
Sep.18 （Sun.） 16:00-17:00（English Program）
Host
Anne Farren
Introduction to the host
Dr Anne Farren is a Senior Academic in Curtin University School of Design and the Built Environment, and is based on the Perth campus in Western Australia. She is a lecturer and researcher, primarily working in the fields of fashion, textiles and exhibition making. She has been a tutor with the Design Day Marathon since 2017, facilitating Cutin University student engagement in global exchange experience through both travel to Beijing and online participation.
Guests
Jonathan Pillai is a senior academic who heads the Animation and Game Programme as well as overseeing the Bachelor of Design programme located in Curtin University, Perth Campus. Jonathan had worked in the industry as a Creative Director with over 12 years of industry experience in the digital design garnering extensive industry experience across digital design disciplines before entering academia. As an academic his teaching and research is focused on the convergence of game design and related design approaches to create meaningful digital experiences beyond the context of digital games. Jonathan has shared and presented in this area internationally and continues to research into this area.
观看入口 / Watch Entrance
